Tuesday, 30 June 2009
Monday, 15 June 2009
Monday, 8 June 2009
Intersubjectivity
'I submit that we all are within a camera obscura. We all project upon the inner screen (the wake/dream screen) the images. story lines, sound tracks of our own "home movies". These are mingled with the perceptions of our outer world that come through a pin hole (touch, vision, kinesthetic, auditory stimuli, etc.) in the wall of the camera obscura.
In this "in between", this space of intersubjectivity, one can see within the co-mingling how the past lived experience of one's home movies might be restructured, redirected and reinterpreted. One can also see how one's interaction with one's environment can be influenced by one's home movies. Without one's home movies in the camera obscura there could conceivably be an immaculate conception/perception.
Therapeutic action is done by means of recognition scenes. One recognizes one's "me-ness" in the projections of both the external environment and one's home movies. […]
Nachträglichkeit [deferred action] is the theory of transference’
Donald J. Coleman "Nachträglichkeit" and "Mimesis“ (1997)
Thursday, 4 June 2009
Friday, 29 May 2009
Irrational Reflections
“the film essay enables the filmmaker to make the ‘invisible’ world of thoughts and ideas visible on the screen. Unlike the documentary film that presents facts and information, the essay film produces complex thought—reflections that are not necessarily bound to reality, but can also be contradictory, irrational, and fantastic."
Hans Richter, "Der Filmessay: eine neue Form des Dokumentarfilms" (The Film Essay: A New Form of Documentary Film) paraphrased by Nora Alter, “Memory Essays”, Stuff It: The Video Essay in the Digital Age (ed. Ursula Biemann, Zurich: Edition: Voldemeer, 2003), 12-23, p. 13
Thursday, 28 May 2009
Whirlpool
"Digital technologies that enable the combination of images, sounds, and written text invite us not just to move critical discussion into a new presentational context, but demand that we re-imagine the very relationship between an object of study and critical commentary about it."
Christian Keathley, 'A Whirlpool of Things', in media res, May 14, 2007
Monday, 25 May 2009
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